We talked on the phone for half an hour during which time he told me about his culinary background ("Alsatian"), his opinion about double-digit multi-course dining like Thomas Keller's 24 course-meals ("afterwards, aren't there maybe 2 or 3 dishes that were memorable? why not just have those next time.") and why he loved cooking in a museum ("the art inspires me in the kitchen").
At the end of the conversation he offered, "Next time you're in New York, I want you to come to the restaurant and taste my food." Happily I was flying into the city the next day so I could accept the invitation.
His multi-course meal took ten dishes, four deserts and 6 wine pairings before we folded up our napkins. I had a combination of dishes with meat, seafood and vegetables. My wife was served pescetarian dishes. All the dishes were beautifully plated. The flavors exquisitely structured. The wines, many from Alsace, were crisp, light and delicious.
Sitting at a table along the window, we had a good view of the sculpture garden where a cocktail party was in progress. Waiters passed around appetizers and wine. The sun set. The garden was reduced to shapes with over head lights picking out a detail here and there. Inside the feeling was muted elegance. A very different feeling from the large and boisterous Cafe on the other side of the thick paneled wall.
Chef Kreuther was kind enough to let me write about one of his recipes, One, which can be made in a home kitchen without the roomful of sous chefs who help him create the dishes for the restaurant. The tartar recipe is simple although it has half a dozen components, half of which go to creating the exquisite design on the plate.
For a dinner party or special occasion, a dish like the tartar is a lot of fun and it will be one of the dishes everyone remembers.
For Zester Daily: Next to MoMA's Sculpture Garden, Tuna Is A Work Of Art
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